A non-Golden Child, even a Scapegoat, can become a narcissist too (usually the covert form of NPD), for self-protection, but Golden Children tend to develop the grandiose, malignant form of narcissism and as such, are the least likely to ever seek help for their disorder or admit they have become abusers themselves.
3. The Lost Child.
In larger families (three or more children), one child is likely to be ignored and treated as if they don’t exist. This isn’t a form of silent treatment; it’s as if the parents don’t notice the child is there at all. The Lost Child isn’t victimized like the Scapegoat, but they aren’t spoiled either. They may or may not be recruited to assist in the abuse of the Scapegoat, but they won’t necessarily be punished if they don’t cooperate; they will simply be ignored.
The Lost Child tends to be quiet and shy, and not make any waves. They are probably aware of the family dysfunction and may sympathize with the scapegoat (but don’t let anyone know this). As they grow older, they may crave attention or develop addictions, or they may remain shy and retiring throughout their lives. They tend to avoid confrontation and drama, and may become extremely introverted.
4. The Clown/Mascot.
The Clown/Mascot attempts to divert attention away from the family dysfunction (and also get attention for themselves) by making light of everything. Everything becomes a joke to them, and they even use their own families as sources for humor. Clowns can be disruptive in class as children, to get attention, but because of their ability to see the humor in things, they tend to be outgoing and develop a large circle of friends during adolescence and adulthood (even if they are never taken very seriously). Family Mascots are almost never scapegoated, because they entertain everyone and take the focus off the family problems.
David Sedaris, a writer and humorist, is a good example of this dynamic at play. Several writers in the ACON community (and even outside that community) were outraged by Sedaris’ callous essay (“Now We Are Five,” which appeared in the New Yorker after his younger sister, Tiffany, committed suicide). Tiffany was clearly the family scapegoat and had evidently gone No Contact with the rest of the family. At the time of her death, she was living in poverty and only had, as her father put it, “two lousy boxes” of belongings. I don’t know all the details, but it seems as if she was offered no support, either emotionally or financially, in spite of the family’s wealth and Sedaris’ success as a writer. She was probably mentally ill, but her mental illness may have been due to being the family reject.
In a candid interview Sedaris gave for Vice, he describes Tiffany and her relationship with the rest of the family. His words are very telling.
Even as a child I looked at my sister and wondered what that would be like, not to feel the warmth of my mother’s love. Tiffany didn’t. There was always a nervous quality about her, a tentativeness, a desperate urge to be in your good graces. While the rest of us had eyes in the front of our heads, she had eyes on the sides, like a rabbit or a deer, like prey, always on the lookout for danger. Even when there wasn’t any danger. You’d see her trembling and think, You want danger? I’ll give you some danger…
It’s been suggested that David Sedaris is himself a narcissist (possibly the golden child) and that could certainly be true, but I also suspect he served a secondary role as the family Clown/Mascot. His callousness toward Tiffany in his famous essay (and grandiosity about how great the rest of the Sedaris family was–it’s very common for narcissists who were golden children to hold their dysfunctional families up as paragons of perfection) seemed to be drawn both from narcissism and from a need to hide his anger and pain behind a wall of humor. Here’s a link to his essay (it’s heartbreaking and may be triggering):
The accompanying photo is interesting. Tiffany, the second to youngest child in a family of six children, sits in the bottom right hand corner. Her hair is cut short and unkempt, and she looks very unhappy. David, wearing the glasses, stands above her. Actually, none of the kids look very happy. Not a smile in the bunch. Something’s definitely not right about this family. It’s common to see family portraits where no one is smiling in the 18th or 19th centuries, but not in the late 1960s, when this photo was taken. Here’s another photo, from the Vice interview, where only Tiffany (again in the bottom right hand spot) looks desperately unhappy and disconnected from her siblings.